Female 30' solo, inspired by Histoire de bleu, by Jean-Michel Maulpoix, about the story of a woman involved in an terrorist attack that leads her to reflect on time and on the transience of things, on the fear of dying, surviving, remembering, forgetting and starting to live again.
A survey in the form of performance on an authentic event of pain: a show of about 45', extremely physical, which leaves no room for the aesthetics of the dance or the conformism of the theater; it is rather an exasperatingly cynical, profound, vertical study, which analyzes the thousand derivations of Pain and its intimate relationship with the Sacred in an almost clinical way. Scenes in which the viewer can easily recognize each other, a sort of modern sacred representation in which two performers constantly alternate rough Kantorian processions to read danced, sung and spoken sequences.
Jury Prize HiverÔclites, Les Hivernales 2014 Avignon FR, Second Prize 28th Hanover Choreographic Competition, ZAWIROWANIA dance 2014 Warsaw PL, Corto in Danza 2014 IT, Audience Award Berner Tanzpreise 2015 CH, Palco aperto, Pim-Off IT, Machol Shalem International Choreography Competition Jerusalem I
Two parents and a child await the end of the world sitting in their living room, on their sofa, a key element that becomes part of them as much as they have become part of it. 012 represents a world that could be about to an end. Reality is simultaneously inside and outside, on stage and elsewhere: it's in the contemplation of a near, apocalyptic future that the true cruelty of human nature begins to emerge. The child, protagonist of the show, is chosen within a free laboratory for children between 6 and 12 years offered by the Company (1-3 days, to be carried out at schools or youth centers), with the aim of bringing children and young people in the performative world and create connections with their community and culture.
A contemporary elaboration of Tristano and Isotta (45') on traces of desperate lovers and tortured feelings and cries of immense sadness. We haven't changed that much. Everything still revolves around love and its eternal contrast. In the Wagnerian Opera we look for the roots and the answers of the coming of something powerful, strong, boundless. Let's analyze the nature of the construction and the absolute research, the current one, ours, everyday. We are inspired by true facts of crime, true.
Performing project for the development of local cultural realities that involves, from the first day of residence, all citizenship through audio and video interviews made on the street, in café, schools, offices, parks... This material, specially assembled and reworked, is the foundation on which the choreographic and vocal score of the two performers is built in parallel, influenced by the voices and speeches of those who have left indelible evidence. A delicate project, a wonderful opportunity for community involvement and awareness regarding the question: Who are we?
A different reinterpretation and vision of the famous text by the playwright Annibale Ruccello, who, with intimacy and vouyerism, lead brings us to reflect-back on the importance and difficulty of human relationships.